| 
 Revising Prose:  Efficiency, Accuracy, and Good Feelings 
 
Excess Language 
 As you already know, plain Language is language that isn’t overly affected 
  or ornate but simple.  Below are some guidelines for reviving slow, dull, 
  confusing, inactive sentences: 
1.      Use Active Voice 
  2.       Limit Prepositional 
    Phrases 
    3.       Get to the Point 
      4.       Limit to be Verb Forms 
        5.       Avoid 
          Nominalizations 
Although I would love to spend the entire semester just looking at 
  sentences, time will not permit it.  However, I do encourage those of 
  you who wish to improve your communication further to check out Richard 
  Lanham’s Revising Prose or a host of other style books that 
  discuss more than grammar for revising one’s writing. 
 Style Books for Further  Reading 
In the arbitrary order of reader commitment necessary—least to greatest: 
  - Strunk, William Jr. and E.B. White. The Elements of Style. New 
    York:  MacMillan (various editions).
 
  -  Richardson, Peter. Style: A Pragmatic Approach. 2nd ed. New York: Longman. 2002.
 
  - Zinsser, William.  On Writing Well. New York: Harper (various 
    editions).
 
  - Williams, Joseph M.  Style:  Ten Lessons in Clarity and Grace. New 
    York: Longman (various editions).
 
  - Corbett, 
    Edward P. J. and Robert J. Connors. Style and Statement. 
    New York: Oxford UP. 1999.
 
  - Kolln, Martha.  Rhetorical Grammar: Grammatical Choices, Rhetorical 
    Effects. New York: Allyn and Bacon (various editions).
 
 
Note: The above books assume that you, the writer, 
  have some sophistication in Standard Edited American English. These are not 
  handbooks like the late Diana Hacker’s guide A Writer’s Reference that discuss 
  some style issues but are predominantly grammar/spelling/usage rulebooks. 
Additionally, employing the 
  strategies from the above books doesn't exactly mean "better writing." You 
  can't think of writing or effective communication as something that happens 
  in a vacuum; you must consider context, audience, and purpose. There is no 
  secret code to writing. Although we have rules, they are meaningless if 
  one's communication is irrelevant. 
Assuming We Still 
  Have Time… 
Here are a few sentences to get us going.  If it helps 
  you, copy and paste the sentences in MS Word. 
1.  “I have reason to believe that there is a 
  continuing presence of terrorists in this country.”  
Revision: 
2.  “It is my belief that criminal charges were brought 
  up based upon affidavits that were delivered to the Attorney General’s 
  Office by the law enforcement agency that was charged to apprehend possible 
  suspects.” –former US Attorney General John Ashcroft  
Let’s see that again: 
It is my belief 
  that criminal charges were brought up 
  based upon affidavits 
  that were delivered to the Attorney General’s Office 
    by the law enforcement agency  
  that was charged to apprehend 
  possible suspects.  
3.  “You are being tasked / the responsibility for the 
  creation of documents / needed to successfully allow our clients / to 
  accurately obtain detailed queries / from the Datawarehouse / after the 
  successful completion of a training session.”  
What a piece of work! 
Prepositional phrases: 
 for the 
  creation 
             of documents 
             from the 
  Datawarehouse 
             after the 
  successful completion 
             of a training 
  session 
Possible verbs: 
    create 
              needed 
              allow 
              obtain 
              query 
              complete 
Remember, sentences in the real world usually come 
  in context with other sentences.  These guidelines are no exception for 
  common sense or audience-specific requirements.  Contextual factors will 
  govern your writing decisions more than any rules (no matter how good the 
  rules may be).
 Homework 
Look at  these sentences for homework and come in next class with revisions, 
  questions, and smiles. They ought to scare you at first, but examining them will 
  also encourage you not to “dress up” your words unnecessarily.
   
 |