Type fever, type fever
We know how to do it
(da-da-dun, da-da-dun, da-da-dun)
Gimme that type fever, type fever
We know how to show it

(So let's show it!)


Ethos, Pathos, Logo

Type is probably more of an appeal of ethos, but type may also evoke emotions. Yes, ethos and pathos aren't either-or when it comes to design. Elements of a design may relate to both. But you need to recognize (and explain) their boundaries. I'm pretty confident there is no appeal of logos in typography.

  • Ethos:
    appeal or presentation of one's character or credibility; characterization
  • Pathos:
    appeal to emotions; evoking emotional responses

Some other definitions to consider when distinguishing between ethos, pathos, and logos:

Ethos

  • character: an assumption of one's moral or ethical nature--good, bad, ugly.
  • credibility: an assumption that an individual or group is fair minded, believeable, trustworthy.
  • characterize: marking an individual, organization, idea, situation, or text (e.g., document) with specific attributes or characteristics.
    • For instance, how might you characterize the Jackass movies?
      • juvenile
      • immaturity
      • gross-out humor
      • extreme stunts
  • look and feel: this is an idiomatic expression we use in American English to refer to the qualities, attributes, characteristics, and textures of an item, person, or text.
    • "Feel" in this phrasing has NOTHING to do with a speaker or document trying to evoke an emotional responses of an audience.

Why does the following have a look and feel of a Greek restaurant?

Click Greek Isles Logo to visit the Restaurant's Web page

Pathos

  • emotion: sadness, anger, happiness, joy, celebration, etc.
  • affect: response to emotional stimuli.
  • feeling: can refer to emotions but is also used for senses like touch, which has NOTHING to do with a speaker or document trying to evoke an emotional responses of an audience.

Additionally, we sometimes claim "I feel like this is a well-designed proposal," which doesn't imply an emotion--it's an assumption or perspective. An assumption, belief, attitude, or opinion is not the same as an emotion. You might "feel" someone is credible or not, but that has NOTHING to do with a speaker or document trying to evoke emotional responses from an audience.

However, one could make an argument that "I feel like you don't talk to me enough," represents an attempt to make the listener consider the feelings--emotions--of the speaker, which elicites an emotional response from the listener. That is for the psychologists to figure out. I seriously doubt this will ever be of concern for you in document design. Your personal life, however, might be full of it.

Logos

  • logic: as in a formal study and not an audience's interpretation of what's "logical"
  • argument: reason behind supporting a position through evidence or formal logic (as in syllogism)
  • facts: evidence claimed to, assumed to, or known to be true
  • statistics: collection, interpretation, and organization of data; often numerical or chart-based representations

Please consider the above elements when doing your assignments and use the terms in your discussions and memos.

Also, unless the book (p. 196) and wikipedia are mistaken (hardly a chance at that), typefaces are not subject to copyright. Check out "Intellectual Property" section on the page.

Chapter 6: Type

I know you use fonts daily, but do you ever stop to think about what they convey? This chapter is pretty detailed about how to incorporate typefaces into your designs and even covers how to think about what typefaces convey. There is quite a bit of vocabulary that you'll want to know. Let's go over the highlights of the chapter, but do know the following terms below:

  • boumas (p. 153)
  • Characteristics of letter forms (pp. 159-162)
  • Serif vs. Sans Serif (p. 163)
    • Eye direction and perception
    • Serif creates a line (p. 160)
    • Sans serif's vertical look (p. 163)
  • roman vs. italic (pp. 163-164)
  • Monospace vs. proportional
  • Leading (p. 173)
  • Kerning (p. 176)
  • Justification (pp. 177-180)
  • Quotation marks and primes (p. 182)
  • Antialiasing (p. 194): reduces distortion when an originally high resolution image (or sound) is displayed (or played) at a lower resolution.

Describing Fonts (What rule/s am I breaking?)

The following font is "professional" because it has a no frills look that calls out longevity and stability. The typeface is Bookman Old Style. It's rather "stately" looking and evokes an ethos of conservative, prudent business.

Bookman Old Style Sample

The above fonts conform to a busines or law firm look that has no desire to be seen as goofy or childish like this font called Ravie:

Ravie font style

The above font evokes a very "clown-like" ethos with the colors and wavy apearence. Also, if you think your font looks like candy, it's probably a sign (semiotics anyone?) that you should use it for kids and not professional, white-collar businesses.

What does the following font suggest?

ORC A STD font style

These fonts were created in Photoshop and saved as .jpgs--they aren't cheesey Word Art. Put your cursor over the font image to see the typeface name.

What do you think about this design on the wine bottle (thanks to Jennifer in a previous class for this link)?

In what time period might you find the Metro Nova typeface?

Type and Culture

Read over this section. Before we start discussing it, though, I want you to do something. Get on Moodle2 and describe your culture(s). How do you define the culture(s) to which you belong?

A few weeks ago, I asked you to have a typeface that you'd be able to explain. With a partner (no more than 3), create a new webpage that displays or, at least, links to your typefaces and explains what the typefaces convey. Do your best not to conflate ethos and pathos. We've talked quite a bit about ethos and typefaces because it seems to be more common. But I'm sure we can find typefaces with emotional appeals.

All partners should link to this new page you create.

Consider the following cultural questions:

  • Are there any regional conclusions I can make about type?
  • What is the dominant industry, organization, bureaucracy, or condition that seems to govern business standards?
  • What is the dominant industry, organization, bureaucracy, or condition that seems to govern social standards...
    • in the country?
    • in the world?
    • in the region?
    • in the city?
    • in what part of the city?
    • in the community?
    • in your occupation?
  • What defines Charlotte life? Or what defines your hometown's life?

What Video Game am I?

Random typeface examples not included above

Western Look (it conveys an American West ethos)

Classic Las Vegas (pre-LV strip boom)

Chinese Restaurants

Family Restaurant (generic)

 

 

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